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Looks like "Unshin" (雲森). Maybe this guy?
http://homepage3.nifty.com/mimi-ken/sub01.html
He has a photo of a slightly different hanko on this page though:
http://homepage3.nifty.com/mimi-ken/index.html
Last edited by No-sword (2008-08-02 18:14:32)
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No-sword wrote:
Looks like "Unshin" (雲森). Maybe this guy?
http://homepage3.nifty.com/mimi-ken/sub01.html
He has a photo of a slightly different hanko on this page though:
http://homepage3.nifty.com/mimi-ken/index.html
That's not a different hanko--it's the same as the one pictured here on the forum.
Good call, No-sword.
Last edited by edosan (2008-08-02 20:19:53)
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Oh, okay. My bad. The characters are the same, but that second cross-stroke from the top looked too different to me to be the same design. I guess it's an artifact of the application process, about which I know jack.
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can anyone give me some history on Unshin?
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No-sword wrote:
Oh, okay. My bad. The characters are the same, but that second cross-stroke from the top looked too different to me to be the same design. I guess it's an artifact of the application process, about which I know jack.
Usually, it's done with a small positive metal casting of the hanko, which is afixed to a heating element (or heated with a torch, or similar). The heated hanko is then applied to the bamboo surface. Thus, there can be quite a bit of variation in how 'bold' the character comes out.
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Thanks edosan, makes sense.
TatTvamAsi, on his webpage it says that:
- He studied shakuhachi-making under ISHII Unsui (石井雲水) and has been at it for 30 years now.
- He does all the work himself (from bamboo selection through to the finished flute).
- His workshop is in Iwaki and he also sells through Yahoo! Auctions.
- His prices range between 50,000 and 150,000 yen.
I don't have any first-hand information to add to that, but maybe someone else will.
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I had a quite diminutive 1.6 of his, bought through a third party. I paid $160 for it two years ago. The tone was bright and had no real depth but it was tuned well. The thumbhole was positioned far to the left, so he probably sold it as a second. It had only one hanko. Perhaps the flutes he likes and sells as first quality have two hanko. (Many times two hanko only means that the maker himself was impressed with the flute. It also improves sales.)
The bore had obvious concentric circles of ji. Almost "wormy" to look at. One of his stylistic trademarks is to position his utaguchi inlay very low. It looks like an error, but he seems to do this with all of this flutes.
The bamboo of the one I had had lovely coloration. the bamboo was very hard and of medium thickness but it was very light making it feel ultra-fragile, like a porcelain tea cup. The tone was uninteresting, bright, flute-like, an almost pvc quality to the sound, though not quite that harsh. But it was well tuned and played all the tricky notes.
I have no idea what he would have valued the flute as if it were a first quality. Seemed like a good beginner flute and it was. I liked the urushi-washed birch bark or cherry bark nagatasuke binding. I would probably have a flute from him professionally bound to insure against cracks.
Nice hanko. Cloud Forest.
Other inexpensive (under $1000) Japanese made shakuhachi can be gotten from http://www.chikuyu.com (Shakuhachi master Andrew MacGregor is an endorsor) and Mejiro at http://www.mejiro-japan.com/system/index_e.php. In the USA David Sawyer http://www.japanshakuhachi.com/newshakuhachi.html will have one or two under the thousand dollar range He knows his stuff.
I believe Perry has repaired some of Unshin's flutes.
Last edited by Chris Moran (2008-08-03 12:28:22)
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Chris Moran wrote:
...
I believe Perry has repaired some of Unshin's flutes.
Hey Chris, Yes, a few of his flutes have come through my shop. They all looked finely crafted but had tuning and balance issues. Please don't take this as a judgment call on all his instruments. Every flute is different. There are most likely some fabulous Unshin flutes out there.
Namaste, Perry
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